Nº. 2 of  1842

crt

racismfreeontario:

Anna Mae Aquash was a Mi’kmaq activist, born in 1945, who became a member of the American Indian Movement in the early 1970′s. She was murdered in 1975, and the case of her murder is still going on today. The murder of Anna Mae Aquash will never be fully resolved, but she will always be remembered as a powerful woman who fought for the rights of her people. An active American Indian Movement (AIM) member, as well as mother, wife, social worker, and day care teacher, her image is powerful as much for her untimely death as for her life’s work. Found murdered on the Pine Ridge Reservation during a time of tremendous social and political upheaval, she has become a symbol of the movement for Indian rights.

Anna Mae Aquash Quotes:


- “I’m Indian all the way, and always will be. I’m not going to stop fighting until I die, and I hope I’m a good example of a human being and of my tribe.”

- “These white people think this country belongs to them. They don’t realize that they are only in charge right now because there’s more of them than there are of us. The whole country changed with only a handful of raggedy-ass pilgrims that came over here in the 1500s. And it can take a handful of raggedy-ass Indians to do the same, and I intend to be one of those raggedy-ass Indians.””Day 100! of Racism Free Ontario’s 100 People of Colour Spotlight. .(more info  at Anna Mae Aquash)

racismfreeontario:

Anna Mae Aquash was a Mi’kmaq activist, born in 1945, who became a member of the American Indian Movement in the early 1970′s. She was murdered in 1975, and the case of her murder is still going on today. The murder of Anna Mae Aquash will never be fully resolved, but she will always be remembered as a powerful woman who fought for the rights of her people. An active American Indian Movement (AIM) member, as well as mother, wife, social worker, and day care teacher, her image is powerful as much for her untimely death as for her life’s work. Found murdered on the Pine Ridge Reservation during a time of tremendous social and political upheaval, she has become a symbol of the movement for Indian rights.

Anna Mae Aquash Quotes:

- “I’m Indian all the way, and always will be. I’m not going to stop fighting until I die, and I hope I’m a good example of a human being and of my tribe.”

- “These white people think this country belongs to them. They don’t realize that they are only in charge right now because there’s more of them than there are of us. The whole country changed with only a handful of raggedy-ass pilgrims that came over here in the 1500s. And it can take a handful of raggedy-ass Indians to do the same, and I intend to be one of those raggedy-ass Indians.”

Day 100! of Racism Free Ontario’s 100 People of Colour Spotlight.
 .(more info  at Anna Mae Aquash)

(via womenwhokickass)

centerforartandthought:

The Center for Art and Thought’s new postcards announcing our upcoming website launch!

Postcard cover: Kat Larson, screenshot from “Deception Pass” (2012), video art.

For a country that so often purports to be color blind, that insists too many people of color are overly obsessed with race, and that claims to live up to Dr. King’s dream of not judging people ‘by the color of their skin but by the content of their character,’ the last two days have revealed a much uglier reality. They have revealed that—’doth protest too much’ claims to the contrary—America is anything but color blind, that too many white folk are the ones obsessed with race, and that Dr. King’s dream is still just that: a distant dream. And that’s not just a general truism that is irrelevant to this moment of national emergency—it is, on the contrary, a very specific point that must be made, right now, precisely because of that national emergency.

David Sirota, at Salon, in regard to

…the blatant ethnic/religious profiling of an Arab student injured at the Boston Marathon bombing. In that…episode, he was…targeted as a suspect because—like thousands of others—he was running away from the blast…then came CNN’s declaration that police had arrested a “dark-skinned male”—again, unquestioningly blared all over the world, drowning out a CBS News report alleging that the “man sought as a possible suspect is a white male, wearing white baseball cap on backwards, a gray hoodie and a black jacket.”…

and more.

(via thesmithian)

(via rumagin)

Clarissa Rojas talked about feminism as an anti-imperialist project and about what she calls the medicalization of anti-violence work.

Mon 4.08.13 | Justice That Restores and Transforms | Against the Grain: A Program about Politics, Society and Ideas

What’s Goin’ On? by The Generic Ensemble Company in conjunction with LuckyChaos Theater
The Generic Ensemble Company in conjunction with LuckyChaos Theatre will present an in-progress ensemble-devised performance of What’s Goin’ On? directed by kt shorb.What’s Goin’ On? is a an ensemble-based, original performance reinterpreting Bertolt Brecht’s classic play, The Good Person of Szechwan, exploring binary notions of Good/Evil, Male/Female, Wealth/Poverty, Coercion/Consent and Artifice/Authenticity. Simultaneously critiquing Brecht’s treatment of gender, sexuality and orientalism in Szechwan while also drawing inspiration from it, this show examines the question: What does it mean to be virtuous in our current historical moment, when societal pressures and inequality continue to marginalize our bodies and lives?Created from scratch by the performance ensemble, What’s Goin’ On’? employs new text created by ensemble members layered with activist aesthetics, choreographed movement, indeterminate games, quotidian rituals made extraordinary, and simultaneous conflicting actions to present a dense and complex collage. Drawing material relevant to ensemble members’ daily lives, What’s Goin’ On’? reflects the individual identities and personalities of each collaborator, while also reflecting The Generic Ensemble Company’s continued commitment to make the invisible visible through bold, socially relevant, body-centered theatre that showcases mostly-queer identified, mostly-people of color who are mostly women-identified.This piece is an in-progress performance featuring: Morgan Collado, Kimberly Curette, Kirsche Dickson, Ashley Hicks, Anna McConnell, James McMaster, Julie Moore, Julian Padilla, Saray de Jesus Rosales, Wendy Vastine, Leng Wong, and kt shorb with support from Kimberly Alidio, Margaux Binder, Paige Binder, and Laura Khalil.Tickets are sliding scale $5-15. What’s Goin’ On? is funded and supported in part by the City of Austin through the Cultural Arts Division.The Generic Ensemble CompanyFounded in August 2009, The Generic Ensemble Company (GenEnCo) makes the invisible visible through bold, socially relevant, body-centered theatre. We are a team of artists devising and producing innovative adaptations and new work. We view marginalized bodies, experiences, and subject positions as central to the form and content of creating our work. We train together in Suzuki, Viewpoints and Theatre of the Oppressed to develop rigorous company cohesion, physical presences, and political solidarity. GenEnCo has assembled a critically-acclaimed body of work, showcasing primarily queer-identified women of color on stage. Our first production, Stuck on Gee-Dot, was a site-specific performance inspired by Beckett’s Waiting for Godot consisting of a three-woman cast. It received critical acclaim and was cited as a “Memorable Ensemble” for 2009-2010 in Austin Live Theatre’s Applause Awards. Red Salmon Arts presented GenEnCo in collaborative improvisational performance alongside the Three Jazz Collective as part of their “Conjure” series. GenEnCo was then invited by the Roundtop Poetry festival to devise a tribute to Lucille Clifton as part of the closing ceremonies. GenEnCo is a recipient of the City of Austin Cultural Contracts. GenEnCo was awarded a grant from the Open Meadows Foundation and a Q Rental Subsidy Grant from the Creative Fund for our evening-length original play, The Experiment (2012). http://www.genericensemblecompany.blogspot.com/LuckyChaos Theater Projects LuckyChaos Theater Projects produce works by or about Asian Americans as well as other under-represented communities.  We hope to increase dialogue about these experiences through the performance arts.  Our projects are stories from a different point of view and range from published works to original works including submissions from the community.  We explore all mediums including scripted, experimental, improv and movement. With regular monthly programming  every 1st and 2nd weekends of the month at Salvage Vanguard Theater (Studio)  Fri/Sat 8pm and 1st Sat 10pm.  ”Create Art. Create Identity. Create Possibilities. Play On!”     www.luckychaos.com
kimberlyalidio:

The Generic Ensemble Company in conjunction with LuckyChaos Theatre will present an in-progress ensemble-devised performance of What’s Goin’ On? directed by kt shorb.

What’s Goin’ On? is a an ensemble-based, original performance reinterpreting Bertolt Brecht’s classic play, The Good Person of Szechwan, exploring binary notions of Good/Evil, Male/Female, Wealth/Poverty, Coercion/Consent and Artifice/Authenticity. Simultaneously critiquing Brecht’s treatment of gender, sexuality and orientalism in Szechwan while also drawing inspiration from it, this show examines the question: What does it mean to be virtuous in our current historical moment, when societal pressures and inequality continue to marginalize our bodies and lives?

Created from scratch by the performance ensemble, What’s Goin’ On’? employs new text created by ensemble members layered with activist aesthetics, choreographed movement, indeterminate games, quotidian rituals made extraordinary, and simultaneous conflicting actions to present a dense and complex collage. Drawing material relevant to ensemble members’ daily lives, What’s Goin’ On’? reflects the individual identities and personalities of each collaborator, while also reflecting The Generic Ensemble Company’s continued commitment to make the invisible visible through bold, socially relevant, body-centered theatre that showcases mostly-queer identified, mostly-people of color who are mostly women-identified.

This piece is an in-progress performance featuring: Morgan Collado, Kimberly Curette, Kirsche Dickson, Ashley Hicks, Anna McConnell, James McMaster, Julie Moore, Julian Padilla, Saray de Jesus Rosales, Wendy Vastine, Leng Wong, and kt shorb with support from Kimberly Alidio, Margaux Binder, Paige Binder, and Laura Khalil.

Tickets are sliding scale $5-15. 

What’s Goin’ On? is funded and supported in part by the City of Austin through the Cultural Arts Division.

The Generic Ensemble Company
Founded in August 2009, The Generic Ensemble Company (GenEnCo) makes the invisible visible through bold, socially relevant, body-centered theatre. We are a team of artists devising and producing innovative adaptations and new work. We view marginalized bodies, experiences, and subject positions as central to the form and content of creating our work. We train together in Suzuki, Viewpoints and Theatre of the Oppressed to develop rigorous company cohesion, physical presences, and political solidarity. GenEnCo has assembled a critically-acclaimed body of work, showcasing primarily queer-identified women of color on stage. Our first production, Stuck on Gee-Dot, was a site-specific performance inspired by Beckett’s Waiting for Godot consisting of a three-woman cast. It received critical acclaim and was cited as a “Memorable Ensemble” for 2009-2010 in Austin Live Theatre’s Applause Awards. Red Salmon Arts presented GenEnCo in collaborative improvisational performance alongside the Three Jazz Collective as part of their “Conjure” series. GenEnCo was then invited by the Roundtop Poetry festival to devise a tribute to Lucille Clifton as part of the closing ceremonies. GenEnCo is a recipient of the City of Austin Cultural Contracts. GenEnCo was awarded a grant from the Open Meadows Foundation and a Q Rental Subsidy Grant from the Creative Fund for our evening-length original play, The Experiment (2012). http://www.genericensemblecompany.blogspot.com/


LuckyChaos Theater Projects 
LuckyChaos Theater Projects produce works by or about Asian Americans as well as other under-represented communities.  We hope to increase dialogue about these experiences through the performance arts.  Our projects are stories from a different point of view and range from published works to original works including submissions from the community.  We explore all mediums including scripted, experimental, improv and movement. With regular monthly programming  every 1st and 2nd weekends of the month at Salvage Vanguard Theater (Studio)  Fri/Sat 8pm and 1st Sat 10pm.  ”Create Art. Create Identity. Create Possibilities. Play On!”     www.luckychaos.com

kimberlyalidio:

lazz:

after spending all day at MoMA it became even more pronounced that what i might call a loose network of friends & affiliations around the world, both online & off, are doing important, exciting things…even if “only” on their tumblrs, their unpublished poems, their fliers, or their instagrams….

motherjones:

First the drought came for the corn, then the fireworks, then the butterflies, then the steaks…
The worst US drought since the 1930s is still not over.

motherjones:

First the drought came for the corn, then the fireworks, then the butterflies, then the steaks…

The worst US drought since the 1930s is still not over.

(via bostonreview)

Nº. 2 of  1842