I rejected assimilation at that point, which is something that’s really hard and it’s something that trips me out. I don’t feel like I rejected my intellect, but in rejecting a certain mode of assimilation, I didn’t leave myself any choices because I didn’t have a sense of what education could be for me. The educational process was all caught up in a kind of assimilation, period. … I just wasn’t very sophisticated. I didn’t know how to think about it and I didn’t have much help in thinking about “Well, look, don’t worry about anybody who will make you feel…”. There was a small clutch of black kids in the school – education and whiteness went hand in hand – it was just a really crazy thing having moved to Plymouth from Boston, which was an ongoing trauma because I had been bussed in the 70s.
And getting bussed definitely had a huge impact on who I am. That whole prolonged experience of assimilation and education and understanding. I’m still trying to figure out how it is I understood what it was that was going on, what was expected of me without anybody explicitly…but they did explicitly spell it out. I was told how I needed to speak. I was told how I needed to walk. I was told how I needed to modulate my voice, not just speak in grammatically correct sentences. Not to swing so much when I walked. All that kind of stuff.
Takashi Murakami, “Milk,” 1998 (via Flower Power: Online Only: The New Yorker)
Bill T. Jones rehearsing at the Gatehouse, in Harlem. (via 2007: A Year About Town: Online Only: The New Yorker)
The cabaret revue Weimar New York, at Spiegeltent. (via 2007: A Year About Town: Online Only: The New Yorker)
The jazz drummer Cindy Blackman, at Dizzy’s Club Coca-Cola. (via 2007: A Year About Town: Online Only: The New Yorker)
Margaret Cho’s burlesque variety show, “The Sensuous Woman.” (via 2007: A Year About Town: Online Only: The New Yorker)
photographs from Ghazaliya, a Sunni neighborhood in west Baghdad, where the U.S. military has been applying its counterinsurgency strategy (via Neighborhood Watch: Online Only: The New Yorker)
Shirin Neshat “Women of Allah” 1995 (via The Woman Behind the Screen: Online Only: The New Yorker)
Richard Prince (via Mirror Image: Online Only: The New Yorker)
Eric Sanderson, a landscape ecologist at the Wildlife Conservation Society who is trying to determine exactly how Manhattan—or Mannahatta, “land of many hills,” as some scholars have translated the name used by the Lenape people who inhabited it—looked before the arrival of Europeans. (via Mapping Mannahatta: Online Only: The New Yorker)
Times Square, then and now. (via Mapping Mannahatta: Online Only: The New Yorker)
Richard Merkin, “Dylan Thomas” July 5, 2004 (via Boldfaced: Online Only: The New Yorker)
“The Burning of the Houses of Lords and Commons,” October 16, 1834 (via Invasion of Light: Online Only: The New Yorker)