"The promise of the Internet-as-Alexandria is more than the rolling plenitude of information. It’s the ability of individuals to choreograph that information in idiosyncratic ways, the hope that individuals might feel invited by the gravitational pull of a broad and open commons to ‘rip, mix, and burn’ — to curate."
—Gideon Lewis-Kraus, “A World in Three Aisles: Browsing the Post-Digital Library” Harpers 314: no. 1884 (May 2007): 56.
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Hope is an orientation, a way of scanning the wall for cracks — or building ladders — rather than staring at its obdurate expanse. It’s a worldview, but one informed by experience and the knowledge that people have power; that the power people possess matters; that change has been made by populist movements and dedicated individuals in the past; and that it will be again.
In the hands of the wrong person [PowerPoint] and any presentation software becomes a dangerous weapon, a means of torture and incredible torments,” says Holm Friebe, who invented PowerPoint Karaoke as part of the German artists’ group Zentrale Intelligenz Agentur.